Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Peter Severin Kroyer
italienska byhattmakare

ID: 70472

Peter Severin Kroyer italienska byhattmakare
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Peter Severin Kroyer italienska byhattmakare


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Peter Severin Kroyer

Norwegian-born Danish Painter, 1851-1909  Related Paintings of Peter Severin Kroyer :. | oscar bjorck maler pa skagen sonderstrand | marie kroyer | marie kroyer med et handarbejde | Hip Hip Hooray | marie och vibeke kroyer stickar |
Related Artists:
Jens Birkholm
painted Warmehalle in Berlin in 1908
Lorenzo Monaco
Italian c1370-c1424 Lorenzo Monaco Gallery was a Florentine painter. He joined the Camaldolese monastery of Santa Maria degli Angeli in Florence in 1391, but he left monastic life before making a lifetime commitment. Despite this fact, he has traditionally been called "Lawrence the Monk." His work shows the influence of the International Gothic style of the late fourteenth century, as well as that of the Sienese school.
Edouard Castres
Swiss 1838 - 1902 Swiss painter. His father was a clock engraver, and he initially trained as an enamellist. He took drawing lessons from Barthelemy Menn and attended the Ecole des Beaux-Arts in Paris from 1859. He soon decided to concentrate on oil painting. He was assistant to the genre and figure painter Eduardo Zamacois y Zabala (1842-71). In the Franco-Prussian War he joined the Red Cross, moving into Switzerland at the beginning of February 1871 with the army led by Gen. Bourbaki. He painted military scenes from sketches carried out on the battlefield and received consistently good reviews, which also brought financial success. He was commissioned by a Belgian panorama company to record the entry of the French army into Switzerland, which he had witnessed in 1871. He spent the winter of 1876-7 on site at Les Verrieres, painting preparatory studies, and in 1881 he completed the panorama, Gen. Bourbaki's Army Retreating into Switzerland (Lucerne, Panorama). He was aided by nine assistants, recruited from among Menn's pupils, who included Ferdinand Hodler. The work was exhibited in Geneva and was brought to a rotunda in Lucerne in 1889. Among panorama paintings it is a work of a high order: despite the colossal dimensions and the barely comprehensible mass of people depicted, the dominant impression is of individual suffering.






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